Mackie enhances MR Studio Monitors, SRM speakers and VLZ mixers

Mackie has unveiled the newly redesigned MR series of powered studio monitors. The MR5mk3 and MR8mk3 models replace the previous generation of monitors, whilst the range has been further expanded with the launch of the 6.5-inch MR6mk3 full-range monitor and MR10Smk3 studio subwoofer.

A newly designed minimum-diffraction waveguide provides ‘seamless’ transition from highs to lows, whilst creating a wider sweet spot and an open feel. The power amplifiers and transducers are custom-matched for increased performance, whilst all the cabinets outfitted with acoustic absorption material are rear-ported for added bass extension.

A range of I/O options offer varied connection types providing ease of studio integration, and the low frequencies can be boosted by up to 4dB and the highs can be both cut and boosted depending on an individual’s needs. Specifically, the MR10Smk3 powered subwoofer offers the enhanced low end required for hip-hop and EDM genres. Other notable features include an adjustable crossover to dial in the right amount of low end for the application plus a polarity switch to make sure the mix is always in phase.

Meanwhile, the SRM powered loudspeaker line now consists of the 12-inch SRM550 and 15-inch SRM650 speakers together with the SRM1850 18-inch subwoofer. All three SRM powered speakers provide 1600W of system power matched with custom transducers. High definition audio processing has been integrated into the design of the internally-braced wooden cabinets, including acoustic correction DSP plus system optimisation tools such as application-specific speaker modes and a feedback destroyer. All three SRM’s integrate a two-channel mixer with Mackie Wide-Z inputs into their designs.

Lastly, the VLZ4 family of eight high-headroom, low-noise analogue compact mixers now directly replace the VLZ3 generation models. The inclusion of Mackie’s Onyx mic preamplifiers offers a notable performance improvement, whilst other key features include custom op-amps and negative summing bus architecture.

For maximum signal integrity, the VLZ4 is designed for the highest headroom and lowest noise possible. Housed in a steel wraparound chassis, the VLZ4 mixers incorporate grime-resistant sealed rotary pots upon a high-contrast, ergonomic work surface that’s particularly suited for low-light applications. More prominent knobs and fader caps sit against a cockpit-inspired work surface with a black powder-coat finish providing a contrast for enhanced control identification.

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